Academic papers
Publications | Academic papers | Presentations
Authorship and Attribution in Early Music research [Abstract]
Interrelations of words and music in Guillame de Machaut’s Remede de Fortune: An Analysis of the monophonic Lai in Cultural context [Abstract]
Live or “fake”? : Puccini’s Tosca at the Bregenz Festival [Abstract]
Machaut’s Monophonic Virelai Dame à vous sans retollir: Refrain – Language sound, Pitch space, Performance, Meaning. [Abstract]
Richard Wagner's concept of femininity – Wagnerian Übermensch, Medusa, Sibyl?
Susan McClary “Feminine” in music: Gender and sexual implications in Musical analysis [full text]
The reception of Carolyn Abbate’s “Music — Drastic or Gnostic?” and its likely implications for musicology [Abstract]
The role of gender in music: Plainchant, Sonata form, Feminist-oriented musicology [Abstract]
Transformation of religious and metaphysical music in the early and middle 19th century – Richard Wagner’s religious views [Abstract]
Vision for future computational research on music [full text]
Wagnerian Insemination in Manolis Kalomiris' Œuvre: The Case of O Protomastoras [Abstract and full text]
Συγκριτική Μελέτη της λύσεως από το έργο του Ευάγγελου Σ. Σταμάτη «Συμβολή εις την ερμηνείαν μουσικού χωρίου του διαλόγου του Πλάτωνος Τίμαιος» με τη Σπυρίδειο Λύση [Abstract]